5 months ago
6 months ago
I’m always home, I’m uncool,
at ako’y tiny dancer
na too sweet for rock and roll.
I’m always home, I’m uncool,
at sa imahinasyon
sumasayaw—Penny Lane.
I’m always home, I’m uncool
at ako’y tiny dancer
8 months ago
A Well Respected Man
Dahil sinanay siya
sa buhay ng pasok-
labas-pasok-labas,
siya’y alaalang kay daling
tatakas sa mga siwang
ng iba’t ibang bulsa, kahon,
kanal. De oras na pagkatuto
sa mga kuwaderno’t aklat,
barya-baryang hulog
sa simbahan (nagsisimba
kahit puyat), dasal para
sa diploma, pasok sa/
uwi mula sa opisina,
pasalubong sa sinisinta
(katas ng minsanang
promosyon, suksok ng ari
sa ari, titi sa puke, pekpek
sa burat (anuman ang tawag,
basta dapat magkaanak),
magtanim ng puno,
magtindig ng sariling pugad,
magpunla ng mga leksyon
habang naghahapunan,
tungkol sa halaga ng pitaka,
ng panahon, ng mga bagay
na nahahawakan at nakikita/
kinikita, sa halaga ng mga pader,
bakod, kandado, sa pagkakaiba
ng tagaloob at tagalabas.
Mga paalalang sa tenga
ng sinasabihan ay pasok-
labas-pasok-labas. Siya’y
tatanda, yayao, ililibing,
parisukat na hukay, reserbado
na noong unang panahon,
kahon ng ataul sa kahon
ng putik at bato at bermuda.
Siya’y lapidang kawangis
ng napakarami pang iba,
pinalilibutan ng mga taong
takang-taka, sino ba siya,
sino ba itong katawang
hindi na humihinga?
May nagbubulungan sa paligid,
mga nakikiramay, tungkol
sa kanyang kuwento,
sa kanyang alaala. Siya’y
bulong na papasok sa kaliwang
tenga, lalabas sa kabila.
It’s been said time
and again: the world moves
time moves the world.
But there’s the world
and then there us
and other tiny universes
where the laws of the world
are not etched in time,
so that seconds and minutes
and hours and days
and nights and mornings
last for as long
as the world
spins madly on.
11 months ago
1 year ago
Kalyeng paikut-ikot itong tag-init,
nakakasuka kung hindi ka sanay pumihit.
Tulad nitong di matantiyang langit—
kanina’y alinsangan, ngayon ay ambon—
ano’t pinili nating dito maglakad?
Patawarin natin ang langit sa kanyang hindi masabing galit.
Patawarin tayo ng langit sa ating di mapigilang pag-awit.
Patawad, sa aking kawalan ng pagsisisi.
Ang himig ng iyong hagikgik, minsan ma’y mailap,
ay bungang aking hanap-hanap.
Manggang sa sanga’y nakasabit,
di sigurado kung hilaw o hinog sa pilit.
Sisihin ang init na dulot ay tukso’t pagsisisi.
Tanggalin ang himig na tumatagos sa puso’t kaluluwa.
Lamunin sana ng lupa ang uod na takot kumain ng hinog na mangga.
Ngunit, sa gitna ng bawat bantulot,
narito tayo.
Isang kalyeng sala sa alab at lamig,
isang pamilyar na awit,
bungang tinatanaw, minsan sinusungkit,
dalawang pares ng paang
naglalakad, laging bumabalik.
Tila lumalalim na ang gabi. At ang bantulot ay di ko pa rin intindi.
Ang himig ay para na lang huni. Ang langit ay taimtim muli.
*ang piyesa’y bunga ng isang text renga. di ako magaling sa renga, mukhang di rin magaling sa ibang bagay. pero may espesyal na puwang ang kinalabasang ito.
1 year ago
Face the music (not)
Brand New Colony-The Postal Service
There are great songs out there, like this one, that I know sounds sweet and wonderful, but because of personal tragedies I associate with them, I still cannot bring myself to listen. The irony is that I would not have discovered how wonderful this song is if it weren’t for that tragedy.
But even though I refuse to listen, I still have this song on my playlist, partly because I don’t like having incomplete albums, and largely because I hope that the day will come when I will finally be able to listen to the song with a fresh perspective.
So one perfect day, without realizing it, I will be able to listen to the intro of this song (which if memory serves sounds quite nice) devoid of any degree of panic which will prompt me to hit the next button almost immediately. Notice that the previous sentence is quite long and awkward, which is a small illustration of how my mind works whenever I hear the opening of this song. The feeling can best be described as “rattled”, slightly similar to being fearful, but of a lower degree.
There was one instance when I thought I was ready to listen to the song, a year ago, I think, but right after the first chorus my heart was literally pounding, I felt the blood rush to my ears, and I remember feeling a bit out of breath. It was almost traumatic. The moment the song stopped, I felt relieved.
One day I will be brave enough to listen to this song up until the very last note. Maybe I’ll even put it on repeat to boot.
1 year ago
I listen to this song while running, and each time it plays I get a weird feeling which makes me run a bit faster. As a writing exercise, I put it on and tried to come up with a list of sorts, like a word association game. This is what I came up with, which I imagine should be read along with the instrumental.
INTRO-The xx
Start walking. Walk slowly
at first.
Note your pace,
mind your heart beat,
check your time.
When you’re ready,
walk faster
and faster
and faster and faster
and faster
and faster until
you find yourself running.
Let yourself go,
follow the road
faithfully
even if you think
it leads to nowhere
or to a dead-end.
Breathe slowly,
breathe deeply,
sweat deeply,
see everything,
hear every sound,
feel your feet
pounding on the ground,
run until the road turns
at a curve on the right
that signals the end
of your solitary race.
A door should
mark the finish line.
Cool down,
calm down, dust yourself
off. Climb the steps
towards the door.
Knock
lightly, knock bravely.
Knock harder.
Keep knocking
even if there’s no answer.
Knock until you can’t.
Turn away, turn back again,
knock again, turn away again,
Wait a while.
Walk away
only if
you haven’t tried
to knock again
one last time.
1 year ago
Siyudad na may Panglaw
(salin ng Wicked Little Town—Tommy Gnosis Version)
Patawad,
kung hindi alam.
Ako’y paslit pa lang,
Ikaw, diyos lang naman
ang hubog na lumalamang
sa binibini o lakan.
Ngayon, batid ko na ang inagaw ko sa ‘yo.
Na kapag nawasak ang lahat,
sarili ma’y sumambulat,
sa siyudad na may panglaw,
babangon kang buo.
Langit ay
wag mong sisihin.
Ngitngit ay di batid
ng ulap at hangin.
Walang landas ng hiwaga,
o pusong itinadhana.
Walang mailap na
hindi mahahanap.
Dahil sa pag-inog ng mundo,
tingin pa rin sa iyo’y dayo.
Isang dayong ligaw.
Siyudad na may panglaw.
At kung lakas mo ay kapos,
sundan ang tinig kong paos,
tayong naliligaw sa
siyudad na may panglaw.
1 year ago
Sweet Disposition (The Temper Trap)
When a glorious experience is replicated, that memory of the First Time seems farther away in time and space. First conversation, first date, first kiss. If only time can be suspended, like a train ride that never reaches its destination, or a song forever on loop, maybe people will be happier.
This was what Tom was thinking while watching a sappy romantic comedy with his girlfriend of seven fucking long years. He thought, sadly, about all the First Times they’ve had, and how they seem to have exhausted all the glorious moments within their means. Yesterday he asked a friend who was in the same situation: “Do you ever think of maybe breaking up with your boyfriend?” This friend has been in that relationship for five fucking long years. His friend’s replied: “Only all the time.”
They’ve never been to India, Tom and his girlfriend. That’s a potentially magical First Time moment, but only if Tom could get time off from work (he was a call center agent). They’ve never been to many places within the country, Tom thought, maybe they could go on a weekend getaway. Or they could try cheaper alternatives, like eat at a new restaurant or watch a new movie. Tom is certain, at least that there will always be new movies.
But movie tickets aren’t gettting any cheaper. And watching a movie isn’t exactly a moment suspended in time.
On the movie screen, Tom watched as the male lead was making a mad dash to the airport where, of course, the female lead was just about to board a plane to a faraway land. The male lead caught the love of his life just in time to declare his undying love, which was followed by the first kiss. Up music, applause and awwwwwww from emphatic onlookers. End credits.
The lights turn on. Tom, out of habit, reached for his girlfriend’s (of seven years) left hand before getting up. While walking out of the cinema, Tom asked: “So, honey, where do we eat?”


